片名:《膽包天》

類型:動(dòng)作片

上映時(shí)間:1975

上映地區(qū):其它

導(dǎo)演:翁貝托·倫齊

主演:托馬斯·米連,約瑟夫·科頓,Maria,Fiore,Mario,Piave,盧西亞諾·卡蒂納齊,圭多·阿爾貝蒂,費(fèi)米·貝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,羅薩里奧·博雷利,盧西亞諾·皮格齊,馬里奧·諾維里,布魯諾·迪·魯亞,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastr

集數(shù): 更新至0集

語(yǔ)言:其它

【同輝影院】分享動(dòng)作片膽包天全集在線免費(fèi)觀看高清720P播放地址，膽包天講述了一個(gè)普通而不平凡的故事，由膽包天的演員托馬斯·米連,約瑟夫·科頓,Maria,Fiore,Mario,Piave,盧西亞諾·卡蒂納齊,圭多·阿爾貝蒂,費(fèi)米·貝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,羅薩里奧·博雷利,盧西亞諾·皮格齊,馬里奧·諾維里,布魯諾·迪·魯亞,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastr實(shí)力演繹，不管是微表情還是表演動(dòng)作上，把角色都塑造得非常成功，每個(gè)角色都有自己鮮明的個(gè)性，讓觀眾們能夠更好地融入到劇情之中。膽包天是1975年上映，非常好看的電影。

《膽包天》觀后點(diǎn)評(píng)：電影膽包天真是太好看了！膽包天劇情緊湊扣人心弦，每一個(gè)轉(zhuǎn)折都讓人捧腹大笑，同時(shí)又讓人熱淚盈眶；膽包天的音樂(lè)選材旋律優(yōu)美，不僅完美地融入到劇情當(dāng)中，還增加了動(dòng)作片膽包天的劇情氛圍，絕對(duì)值得一看。

《膽包天》抖音網(wǎng)友點(diǎn)評(píng)：膽包天的臺(tái)詞設(shè)計(jì)非常精彩，讓觀眾印象深刻；膽包天的演員托馬斯·米連,約瑟夫·科頓,Maria,Fiore,Mario,Piave,盧西亞諾·卡蒂納齊,圭多·阿爾貝蒂,費(fèi)米·貝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,羅薩里奧·博雷利,盧西亞諾·皮格齊,馬里奧·諾維里,布魯諾·迪·魯亞,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastr個(gè)個(gè)演技精湛，從對(duì)劇情的精準(zhǔn)把握到表情和動(dòng)作的發(fā)揮上，都契合了膽包天的故事主題，既滿足了觀眾們對(duì)于劇情的期待，又給人留下了思考的空間。是1975年值得一看的電影。

膽包天講述了：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!